The house of Senmen was built over
and behind his shop, looking out on to a courtyard that had once belonged
to a single house but was now common ground for several families. Behind
the cookshop itself lay the bakery and storeroom, from which a passage
led to the ground-floor sleeping rooms. During the day it was cooler upstairs,
where a breeze was brought down by funnels from the roof, and where wide
shaded balconies gave light through doorways to the almost windowless rooms.
Here after the siesta Senmen found his daughter pressing linen garments
into folds, which she produced by dampening the starched material and smoothing
it with her hand over corrugated boards. He noted with annoyance that the
clothes were but half done, though she had found time to tint her lips,
paint blue shadows around her large, liquid eyes, and attend to the elaborate
dressing of her hair. Furthermore, the pastry cook's son from next door
was below in the courtyard, instead of preparing almond paste as he should
be doing for tomorrow's cakes. He was an unattractive, pimply fellow, who
was known to be far too often at the beer shop. Senmen felt there was no
accounting for young women’s tastes.

Aroused by these disturbing reflections,
he strode out onto the balcony and began to expostulate with his daughter
in ringing tones. "I told you that Tinro would tire of your flightiness,"
he cried, plucking off his wig and filling his palm with water to cool
his shaven head. "Now he has written a wonderful poem to the carpenter's
daughter, Tausert."
"She is welcome to it,"' declared Toui,
giving her head a scornful toss that set dancing the countless little clay
balls she had worked into the ends of her hair to make it stand out in
masses around her face. "I hope for her sake that what Tinro writes is
a little less dull than what he says to me.”
"It is a beautiful love poem," retorted
her father, conscious of interest from the opposite balcony where the pastry
cook's plain and ill-natured daughters had pricked up their ears. "As for
what it says about you, I must admit that you have deserved every word
by your flirtatious ways."
"How dare Tinro mention my name?” cried
Toui, stamping. "I will never speak to him again as long as I live."
“I don't suppose you will ever have
the chance," replied Senmen, slapping back his wig into place. "The carpenter's
daughter is a better match, and pretty too."
With this last shot he withdrew and
was able to report to his friends by the next afternoon that three different
versions of Tinro's poem, all insulting, had been audibly recited in the
courtyard, accompanied by titters. "Toui spoiled a whole batch of honey
cakes in her fury," he added in complaining tones. "Really, the expense
of this plan is too great to be born."
"The next stage will be even more costly,"
the goldsmith asserted, unmoved by this lamentation. "Surely you must know
by this time that young girls are a terrible expense!”
Two or three days after this conversation,
Senmen made his peace with his daughter by giving her a little bracelet
which he had bought from the goldsmith after many protesting groans. "I
got it cheaply because it is broken," he told her untruly, "but the goldsmith
is enough in my debt to repair it if you take it to him."
Toui thanked him with a kiss and set
out across the market square, not omitting to brighten the effect of her
tight linen dress with a necklet of beads, two other bracelets, and a flower
tucked into the fillet around her hair. Thus attired, she attracted a considerable
number of admiring glances. She felt her spirits rising for the first time
since they had been crushed by Tinro's unspeakable behavior. She looked
from under her long lashes at a young man selling pots, and the young man
smiled at her. She tossed her head at a handsome fellow in immaculate linen,
and wriggled her shoulders as a fishmonger turned to admire her retreating
back. By the time she entered the street of the goldsmiths, she looked
very much like a honey pot that had sailed through the market, collecting
a noisy train of attendant flies.
Toui was making a greater error than
she knew, since the goldsmith, who had been waiting for her arrival since
the siesta, might easily have missed it during an exciting argument over
a poor old woman's beads. Warned by the noise of a too familiar whistle,
he perceived her just in time to give up the battle and send out his slave
to bring Tinro on to the scene.
"Tell him that Toui wants him to buy
a bracelet, and make sure that he comes running immediately," he ordered.
Toui sailed briskly into the shop of
the goldsmith and showed him her bracelet, while the more devoted of her
admirers disposed themselves in lounging attitudes outside in the street.
In a leisurely fashion the goldsmith set out his smallest hammer by the
anvil, took up his pincers, and put his blowpipe to his lips to heat the
flame. He was able to spin the job out to two or three operations, since
as he observed, he could not toss the ornament into the crucible and melt
it all down, but must heat and hammer out a very small piece at a time.
After the soldering, the gold must be
cooled in water, cleaned carefully with sand, and polished up. "I do not
know when I have seen a prettier bracelet," remarked the goldsmith, holding
it to the light, breathing on it, and rubbing away at a dirty spot with
his thumb. "Or a prettier girl to wear it," he added smiling.
Toui lifted her eyebrows a little, not
that compliments ever surprised her, but that experience had made her suspicious.
The goldsmith's second daughter had good cause to complain about Toui,
whose conscience made her wonder uneasily where this conversation would
end. Looking around for a change of subject, she started to fidget with
some unfinished work by the anvil. "Is that just a plain bracelet which
you are hammering there?" she inquired.
The goldsmith appeared equally happy to talk
of this bracelet, which he described as the only good order he had lately
received. Ten minutes passed while he got out the stones that were to be
set in it and showed them to Toui, scratching diagrams in the dust on the
floor to explain how they might be arranged. "It is a bridal gift," remarked
he, sitting back on his heels and glancing out at the street, in which
a young man in a violent hurry had finally appeared. "It is for a master
carpenter's daughter from her bridegroom, a talented young scribe."
"How delightful!" said Toui in a strained
voice, crimsoning with fury, but relieved to find that the goldsmith was
no longer looking at her.
"Why, here is the scribe himself," he
exclaimed with an air of surprise which was on the whole well affected,
considering that he had been wondering whether Tinro would ever appear.
"Toui!" cried Tinro, stretching out
both hands to her and delightedly beaming.
Toui looked at him speechlessly for a moment,
while tears of indignation gathered in her beautiful eyes. "How dare you
speak to me?" she cried at last, pushing hastily past him and fleeing up
the street, pursued by the calls of her waiting admirers.
Tinro stared unhappily after her. He was a
very tall, thin young man with knobbly knees and elbows who poked his head
and frowned in a shortsighted way that gave him a worried expression. "How
am I to marry her without ever speaking to her?" he objected, I wish she
would not treat me in this unreasonable way."
"She is shy of you, perhaps," suggested
the goldsmith with kindly interest. Tinro pondered this idea in his slow
fashion, and shook his head.
"No," he said decidedly, dismissing
the notion. "Not Toui! "
"Well then, you should manage her better,"
retorted the goldsmith, "and a man with five daughters of his own is the
very individual to teach you how to do so properly."
Tinro responded to his education so
gratifyingly that the goldsmith was able to report the sale of the beautiful
bracelet when next he dined with Senmen. "Tinro is not as stupid as he
looks," he remarked with approval, “and he perfectly well understands when
I tell him that actions speak louder than words. I think we might now have
him jilt the carpenter's daughter, whom we will make exceedingly ill from
chagrin,"
"And what is this new move going to
cost me?” asked Senmen with sour suspicion.
"A month's free meals," replied the
goldsmith with confidence, "including beer."
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